In case you somehow missed it, WEIRD SCIENCE follows Wyatt Donnelly (Ilan Mitchell-Smith) and Gary Wallace (Anthony Michael Hall), two nerdy high school losers who are the butt of constant abuse from bullies (including a young and embarrassingly new wave-looking Robert Downey, Jr.), Wyatt's meathead asshole of an older brother, Chet (Bill Paxton, in perhaps his most definitive role this side of Hudson in ALIENS), and can't get the time of day from any living female. When Wyatt's parents leave for the weekend, Gary offhandedly suggests that the pair use Wyatt's computer to simulate the ideal woman, feeding the computer with every bit of data that could facilitate the fantasy. What they did not expect was the program and a half-assed voodoo ritual actually working and coming up with Lisa (former fashion model Kelly LeBrock), a total knockout redhead with amazing, godlike superpowers.
Sweet, British-accented, funny, genius-level smart, smokin'-hot and completely willing to acquiesce to her creators' sexual whims, Lisa is a literal genie let out of the bottle, and the rest of the movie chronicles her successful efforts to make confident men out of a pair of pathetic losers who hadn't seen a trace of pussy since they slid out of their mothers'. It's a noble and utterly selfless quest that's fueled by the movie throwing all logic and realism out the window and embracing the sensibility of what is essentially a live-action cartoon, an aspect cited by many viewers as what makes this their least favorite of Hughes' "big three" (the other two being THE BREAKFAST CLUB and the achingly funny SIXTEEN CANDLES).
In my humble opinion, it's that very cartoonishness that makes WEIRD SCIENCE a gem, and some of its elements would be right at home in a comic book or a particularly good issue of MAD. It's also a strong contender for the title of "Best Male Fantasy Movie Ever Made" and some of its qualifying characteristics include the following:
- Kelly LeBrock's Lisa is not at all what one might expect from a film like this. Sure, she's fine enough to make the corpse of Liberace claw its fetid way from the grave and loudly proclaim a newfound heterosexuality, but though she plainly states that Wyatt and Gary made her and can therefore do with her whatever they chose — meaning exactly what you think it does — she is in no way a mindless sex-puppet. She's smart — positively brilliant, actually — fun, adventurous, and supportive of the boys. In fact, her commitment to seeing them "man up" is quite single-minded, even realizing that her sex-goddess-made-flesh factor intimidates the boys and then adjusting her plan to make them of interest to the rather bland girls they are attracted to (girls who tellingly lack virtually all of the desired elements that they made sure to imbue Lisa with). As previously mentioned, Lisa also possesses superpowers, and they are indeed formidable. In fact, Lisa's ability to bend the fabric of reality to her will with zero effort would have been horrifying in the hands of most other characters, and her creators should be commended for having some of their own goodness manifest in her personality. Instead of a world-destroyer, she's a benevolent and fun-loving Aphrodite for the then-nascent digital age.
- The lunacy that transpires over the weekend of Wyatt's parents' absence is epic and much of it has become the stuff of fond reminiscence for those of us who saw it when it first came out, but the one sequence that still reduces me to near-incontinence is when Lisa takes the obviously underage boys to a waaaaay ethnic blues bar and encourages them to get their drink on. At first quite uncomfortable and terrified by the place, the boys allow alcohol to work its magic and in no time they find themselves genuinely befriended by a pack of hard, old school Greek, Hispanic and black dudes, all of whom are amazed that they appear to be sexually involved with Lisa (who does nothing to correct their assumption and actually bolsters it). The whole sequence is funny, but it becomes hilarious when the scene skips forward by several rounds and finds Gary completely shitfaced, now sporting a pair of shades and a pimp hat, and channeling an old school black dude's conversational style to incredibly un-PC effect.
That sequence fucking kills me and is so over-the-top offensive that it does a complete one-eighty, becoming a satire of its own outrageousness. It's a classic moment and reads just like the twisted John Hughes I first encountered years earlier during his days as a writer for NATIONAL LAMPOON, a Hughes whose incredibly filthy and mean-spirited bent was considerably sanitized for Hollywood deployment.
- Bill Paxton's turn as Chet is a study in the comedic asshole and he is nothing less than fantastic.
Behold the testosterone-fueled majesty that is Chet (Bill Paxton).
Infinitely worse than the pussified new wave bullies Max (Robert Rusler) and Ian (Robert Downey, Jr.), Chet is a shotgun-toting, jarheaded douchebag of the highest order and he's that rare bad guy that you just love to hate.
- The aforementioned new wave bullies serve to point out just what a couple of pussies Wyatt and Gary are. Rather than being in any way physically threatening, Max and Ian are more of an annoyance than a physical threat, and even the biggest milquetoast could most likely kick the living shit out of both of them with little effort.
But the real point of these limp bullies is to illustrate what Wyatt and Gary would be like if they were themselves assholes. Max and Ian are the dark reflection of our dorky heroes, only a tad more posh and romantically connected to the girls Wyatt and Gary like, girls the bullies would ditch in a heartbeat for a shot at Lisa. Perhaps my only complaint about this film is that Wyatt and Gary did not get in at least one shot to the kisser on these pricks. Chet would kick their asses if they attempted it with him, but these escapees from A Flock of Seagulls? I'd call it a fair slap-fight.
And on top of all that, the boys get to drive fast and fancy cars, throw a kickass house party, rout a gaggle of post-apocalyptic biker mutants — including Michael Berryman, the black punker chick from REPO MAN and Vernon Wells, pretty much reprising his role as Wez from THE ROAD WARRIOR — get the girls of their dreams (dull though they may be) and, last but definitely not least, get to see Lisa naked (which we don't, unfortunately).
Re-examining WEIRD SCIENCE after so long was like a welcome trip back to some of the favorite parts of my very much misspent youth with an old friend I had not seen in a very long time, and I gotta tell ya that it felt quite good. Do yourself the favor and check it out, either for the first time, or for the hundredth.