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Sunday, December 30, 2007

I AM LEGEND (2007)


It's been said that the third time’s the charm, and when applied to this third cinematic adaptation of Richard Matheson’s 1954 science fiction/horror novel I AM LEGEND that assessment is only partially accurate.

Dr. Robert Neville (Will Smith) is a military scientist attempting to cure a pandemic that has wiped out nearly all of the world’s population, leaving him, as far as he knows, the last uninfected man on Earth. You see, the plague was an unexpected by-product of a successful cancer cure that mutated into a virus that killed about 90% of mankind, transforming the remaining survivors into mindless, animalistic “darksiders” who combust when exposed to UV radiation and roam the streets at night in search of food. Neville proves immune to the plague and when not working on the cure he cruises around a desolate Manhattan hunting deer for fresh meat and working his way alphabetically through the DVDs at a deserted video store (he’s up to G), his only companion being a German Shepherd named Samantha (“Sam” for short).

Neville operates from his sumptuous brownstone near Washington Square, a home fortified with all manner of military security and an assortment of no-nonsense ordnance, to say nothing of a fully equipped laboratory, but while he has plenty to occupy his time he’s quite lonely. He broadcasts an endless loop radio message alerting any survivors to his existence and names a contact point where he can be found every day at a certain time, but after three years no one has responded to his message. And as he periodically hunts the infected for anti-virus test subjects Neville notices their behavior becoming more savage and aggressive, even copying the traps he sets for them.

That setup is all you need for a compelling story, and I AM LEGEND is a very, very good film that allows Will Smith a showcase for his acting abilities since he has only a dog to share the screen with and his performance is punctuated by the film having virtually no music throughout its running time. I used to think that Smith was just another pretty-boy who headlined churned-out blockbusters and frivolous flicks, but here he proves beyond the shadow of a doubt that he can act his ass off, imbuing Neville with quiet intelligence, sensitivity, and a loneliness that’s simply heartbreaking.

But the film does have its flaws. The infected antagonists are all rendered in iffy CGI, giving them the aspect of video game characters and causing them to clash wildly against the obviously live Neville and Sam; it almost looks like we’re along for the ride as Neville finds himself in some sort of “shooter” virtual reality simulation. But that quibble is minor when stacked against the real issue: the film actually goes out of its way to not be your standard Hollywood blockbuster/mindless action movie, and as such it’s simply terrific, so why did the filmmakers throw that all away during the last reel? I won’t say what happens — because I still recommend the film nonetheless — but the film totally douches out during the final twenty-five minutes and effectively sinks what could easily have become a classic of the genre. All the striving not to insult the viewer’s intelligence is traded in for cheap sentimentality and an ending straight out of a bad DIE HARD sequel, throwing in bits of business that utterly defy the well-constructed logic that came before. Seriously, once the film nose-dived I was greatly disappointed, especially when I considered just how engrossing it was up to that point.

I don’t know what it is about Matheson’s novel, but for some reason it has never been made into a fully satisfying feature film. THE LAST MAN ON EARTH (1964), with my boy Vincent Price, kept the novel’s straight-up horror edge with the plague victims mutating into vampires, but was hampered by a weak script and a budget that wouldn’t have bought a decent box lunch (although some of the admittedly creepy visuals did inspire George Romero’s landmark NIGHT OF THE LIVING DEAD, so it wasn’t a total loss). THE OMEGA MAN (1971) was basically a backyard G.I. Joe scenario enacted on celluloid, filled with shoot-‘em-up action, car chases, and Charlton Heston in the lead, totally unbelievable as any kind of scientist and coming off as a slightly over-the-top fusion of his earlier turns as Moses, Judah Ben-Hur, and Taylor. And now the current I AM LEGEND comes along and almost delivers a perfect, contemporary treatment of Matheson’s bleak narrative, but it still manages to scuttle all of its virtues by adhering to an unfortunate status quo at the last minute.

If you can see I AM LEGEND at a bargain matinee (or can obtain one of the gazillion bootleg copies of the perfect-quality widescreen studio screener that’s been all over New York City) it’s definitely worth checking out for the good stuff, but be prepared for the cop-out when it happens. TRUST YER BUNCHE!!!

4 comments:

Ethan said...

Nice review. This is a cool I Am Legend Fan Site I thought you might be interested in.

Anonymous said...

Hmmmmm... so it's actually most-good, eh? I may go see it, then. Was vaugly interested because, as you said, Smith can act his ass off and the preview was pretty effective. I'm not surprised by the Hollywood fuck-up in the last reel (something that ruined the otherwise-great film Sunshine earlier this year), but - expecting that - I can probably deal with it if the rest of the film is good. Thanks!

John Bligh said...

I just saw it last night with Matt, and I pretty much agree with most of what you said. Good movie, for what it is. Could have been great.

The CGI was not only bad - something inexcusable in a movie with a $100 million+ budget - but most of it was unnecessary. Tell me the main baddie (and his tribe) would not have been more effective if he was portrayed by a good, real live actor and a Rick Baker make-up job. I guess we're seeing the Golumization of Hollywood. Of course, LOTR was so much more than CGI and unfortunately, many film makers aren't clever enough to get that.

Sadly, I think this is about as good as you'll see from a mainstream, mega-budget, Hollywood blockbuster nowadays (at least one not made by Peter Jackson or Spielberg). There's too much $$$ wrapped up in these movies to take risks by not using the same devices and cliches we've all seen a billion times already.

Anonymous said...

About "I Am Legend" -- good review and quite right. Now here's a not-terribly surprising shocker-- and do get ready for the full-featured DVD-- in the latest copy of Cinefex mag-- the quoted ending is exactly what was shown to be coming!

The abducted medical subject/lab rat was looking pretty good there, and the baddies were getting in-- there was a split second of face-to-face contact. Then the movie presses on with the leader banging his way through. But in the mag account, they make goo-goo eyes at each other, "communicat" and hand over the girl and our team are then left alone. This new non-nuclear family runs up to Vermont and starts humanity over again.

I KNEW it was there, and yes they sure did go for the cheap hero-out hanky-yanker.

Sure seems risky setting off an M-79 in a closed space with only a coal-scuttle door in the way-- funny way to put all your eggs in one basket and hope for the best.

Reminds me of shooting the "wife-saved" ending of "24." Which I heartily preferred. Seems rather hard on the actors involved, never mind the characters and oh, yeah, the audience.

Best to you, old chum,

Eliot

PS not-- YOU FLICK!